Sue Williams A’Court

Ref: Thomas Gainsborough, “Gainsborough’s Forest Cornard Wood”, 1748.

Ref: Aegidius Sadeler, “Landscape with a waterfall” (from the Four Tyrolean Landscapes)

Ref: George Romney, “The Parson’s Daughter” 1785
Alexander Nasmyth, “Rocky wooded landscape with ruined Castle by a Loch”, 1817

Ref: Thomas Gainsborough, “The Honourable Mrs Graham” 1777
J.M.W. Turner, “Rhymer’s Glen, Abbotsford” c. 1833

Ref: J.C. Bentley, “Lowdore Cataract, Cumberland” and “Scale Force” (after Thomas Allom)

Ref: Sir Joshua Reynolds, “Penelope Booth”, 1788
Constable, “Elm trees in Old Hall Park, East Bergholt”, 1817

Ref: Publicity shots of Grace Kelly for “To catch a Theif” by Alfred Hitchcock, 1955
Carl Wilhelm Kolbe (The Elder), “Landscape with groups of high oaks, in the foreground three walkers in conversation”, 1759-1835

Ref: Thomas Gainsborough, “Miss Elizabeth Haverfield”, 1782
Paul Bril, “Fauns in a wooded landscape”, 1620
Paul Bril, “An extensive landscape with hunters crossing a field”, 1620

Ref: Thomas Gainsborough, “Mr. and Mrs. Andrews”, 1750
John Constable, “Fir Trees at Hamstead”, 1820
Samuel G. Green, “Ben Venue” and “In Glen Dochart” from the book “Scottish Pictures”, Religious Tract Society, 1891

Ref: Thomas Gainsborough, “Mr and Mrs Andrews”, 1750
Edward Lear, “The Cedars of Lebanon”, 1858
J.M.W. Turner, “The temple of Jupiter Panhellenius in the island of Aegina”, 1827

Ref: Giovanni Battista Salvi da Sassoferrato, “Virgin Mary”, c.1640-50
Thomas Allom, “The Drhuim on Beauly River”, 1835-38
Jan Brueghel the Elder, “The Flight into Egypt”, 1610 and “The Garden of Eden with the fall of Man”, 1613